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Total Records Found: 137
ArtistArtpieceLinkTypeYear_DimensionsCommentsPurchase DatePurchased FromPrice PaidCertificate of AuthenticityImageDocumentsLocation
Bonnard, Pierre Vase de Fleurs sur la Nappe Rouge Watercolor & Pencil ca. 1940 Image: 5.25 x 5.75 in. (13.2 x 14.5 cm.) | Framed: 10 1/8 x 10 7/8 in. Signed upper right. Provenance: Estate of the artist; Neffe de Gandt Fine Art; Private Collection, London. August 1, 2001 Jill Newhouse, New York $42,500.00 bonnard_pierre_-vase_de_fleurs_sur_la_nappe_rouge_42500.pdf G.F.R.
Bonnard, Pierre Verve Cover Color Lithograph ca. 1938 10.5 x 14.5 approx. | 16 x 20 in. framed

Cover of Verve Magazine. Oct-Dec 1938. From Verve Book by Teriade, printed in France.

September 11, 2001 Galerie Michael, Beverly Hills $540.00 X bonnard_pierre_-verve_cover_-color_lithograph_540.pdf G.F.R.
Boudin, Eugene (after) Vaches au Pâturage (Cows in the Pasture) Oil on paper 4.5 x 7 3/4 in. (11.4 x 20 cm) | Framed: 9 3/4 x 12 3/4 in.

This is a modern, hand-painted reproduction (copy).

January 22, 2002 The Art Collection, Inc., New York $7,000.00 boudin_-_vaches_-_docs.pdf G.F.R.
Braque, Georges Lettera Amorosa Original color lithograph 1963 8.75 x 7.75 in (28 x 38 cm). Framed: 14 1/8 x 18 1/4 in.

Hand-signed by artist. From the suite “Letters Amorosa.” Indexed in the catalogue raisonne “Georges Braque: l’ouevre grave” by Dora Vallier, no 187, p. 274. Numbered 48/75. Edition of 100 total.

Galerie Michelle Champetier, Nice (France) $2,170.00 braques_-_lettera_amorosa.pdf G.C.
Braque, Georges Migration Original color etching (aquaforte) 1962 Image: 6 7/8 x 9 1/4 in (55 x 43 cm). Paper: 22 1/2 x 17 1/2 in. approx. Framed: 24 1/4 x 19 5/8 in.

Hand-signed by artist, Artist’s proof from edition of 90. Indexed in the catalogue raisonne “Georges Braque: l’ouevre grave” by Dora Vallier no. 172, p. 241. Edition: 90 exemplars hand-signed plus some HC. Number: HC

Galerie Michelle Champetier, Nice (France) $4,750.00 braques_-_migration.pdf G.C.
Braque, Georges Aquarium Etching 9.8 x 12.6 in. (25 x 32 cm) | 17 1/8 x 19 1/2 in. framed

Impression #41/100

November 8, 2000 Barrington Gallery of London, Ltd., New York; $9,000.00 X braque_laquarium_9000_1.pdf G.C.
Calder, Alexander Butterflies Original lithograph in colors on wove paper 26 x 38.5 in. | 31 7/8 x 44 1/4 in. framed.

Hand signed in pencil lower right, “Calder,” numbered lower left, “29/125.

March 22, 2002 Pasquale Iannetti Art Galleries, Inc., San Francisco $3,575.00 calder_-_butterflies_-docs.pdf G.C.
Cals, Adolphe Felix Un Jardin en Normandie Oil on Canvas 23 5/8 x 32 1/8 in. (60 x 81.5 cm) | 31 1/2 x 40 in. framed

Signed lower right “Cals

December 18, 2001 Stoppenbach & Delestre LTD, London $10,000.00 cals_jardin_10000_w_color_neg.pdf G.F.R.
Cassatt, Mary Sara Smiling Color Drypoint c. 1904 9.75 x 7 in. | 15 3/8 x 18 3/4 in. framed.

Cert of Auth. No. 400054. “A delicately printed color impression of the only state known as noted by Breeskin.

October 20, 2000 Galerie Michael, Beverly Hills $8,082.00 X cassatt_sara_smiling_8082.pdf G.F.H.
Cassatt, Mary Margot Wearing a Bonnet (no. 1) Original drypoint in colors on heavy wove paper, with margins. c. 1902 9.125 x 6.25 in. | 15 3/8 x 18 3/4 in. framed.

A posthumous impression. Catalog reference: Breeskin 179.

October 25, 2000 Pasquale Iannetti Art Galleries, Inc., San Francisco $2,700.00 X cassatt_margot_2700.pdf G.F.H.
Cazin, Jean Charles The Rainbow Oil on Canvas 21 x 25 in. | 28 3/8 x 32 7/8 in. framed

Painting on seller’s website, rehs.com

October 29, 2000 Rehs Galleries, New York $25,000.00 cazin_rainbow_25000_w_color_neg.pdf G.H.
Cazin, Jean Charles Thatched Roofs Oil on Panel 12 3/4 x 16 in. | 20 3/4 x 24 in. framed November 29, 2000 Circline, New York $11,900.00 cazin_thatched_roofs_11900.pdf G.H.
Chagall, Marc L'Acrobat Vert (The Green Acrobat) Lithograph 1979 12.2 x 8.9 in. (31 x 22.5 cm)

LOCATION IS UNKNOWN. File says it was in Unit 1705.

March 11, 2002 County Hall Gallery, Ltd., London $655.00 chagall_-_circus_acrobat_-_invoice_1.pdf
Chagall, Marc Le Bouquet Illuminant le Ciel ("Blue Bouquet" or "Bouquet Lighting Up the Sky") 20-color lithograph 1958 41 x 33.5 in.

LOCATION IS UNKNOWN. File says it was in Unit 1705.

No. 230 in a numbered edition of 750

March 25, 2003 County Hall Gallery, Ltd., London $2,000.00 X chagall_-_le_bouquet_illuminant_le_ciel_-docs.pdf
Chagall, Marc Le Bouquet de Renoncules (The Bouquet of Renoncules) 20-color lithograph 1968-71 41 x 28 in.

LOCATION IS UNKNOWN. File says it was in Unit 1705.

No. 132 in a numbered edition of 750

March 25, 2002 County Hall Gallery, Ltd., London $2,000.00 X chagall_-_le_bouquet_de_renoncules_-docs.pdf
Chagall, Marc Le Peintre devant le Tableau Color Lithograph on Arches Paper 1978 16 1/8 x 12 1/4 in.

Inscribed by Charles Sorlier in black felt-tip lower left “Epreuve d’Exposition H.C.” Aside from the edition of 50. Printed by Mourlot, Paris. With full margin. Mourlot 932

October 20, 2000 Galerie Michael, Beverly Hills $13,515.00 X chagall_le_paintre_13515.pdf J.D.
Chagall, Marc Daphnis and Chloe: Captain Bryaxis's Dream Color Lithograph on Arches Wove Paper 1961 16.5 x 25 in.

Signed in ink on the justification page and numbered “208.” From the book by Longus, from the edition of 250. Lithographs printed by Mourlot and published by Teriade, Paris. The full sheet printed to sheet edges, with the colors exceptionally bright and fresh.

September 11, 2001 Galerie Michael, Beverly Hills $9,720.00 X chagall_daphnis_9000_folded.pdf J.D.
Chagall, Marc Bible: Recontre de Rachel et de Jacob Etching with Hand Coloring 1931-1939 11 1/2 x 9 1/8 in. | 23 3/8 x 19 7/8 in. framed

Initialed and Numbered 68/100

March 11, 2002 Jane Kahan Gallery, New York $9,500.00 chagall_3_bible_etchings_17000_1.pdf G.S.B.
Chagall, Marc Bible: Moses and the Serpent Etching 1931-1939 11 3/4 x 9 1/4 in. | 23 1/4 x 19 7/8 in. framed

Numbered 240/275. PL 28 of the Vollard Bible published by Teriade, Paris, 1956

March 11, 2002 Jane Kahan Gallery, New York $3,500.00 chagall_3_bible_etchings_17000_2.pdf G.S.B.
Chagall, Marc Bible: Saul et David Etching with Hand Coloring 1931-1939 11 3/4 x 9 1/2 in. | 23 3/8 x 19 7/8 in. framed.

Initialed and Numbered 68/100

March 11, 2002 Jane Kahan Gallery, New York $9,500.00 chagall_3_bible_etchings_17000.pdf G.S.B.
Chagall, Marc The Circus 20-color lithograph 1970 Paper: 41 x 28 5/8 in. (104.2 x 72.7 cm) | Image: 32 x 23 5/8 in. (81 x 60 cm) | Framed: 47 1/2 x 35 1/4 in. (120.7 x 89.5 cm)

No 189 from an edition of 750.

March 11, 2002 County Hall Gallery, Ltd., London $2,450.00 X chagall_-_circus_acrobat_-_invoice.pdf G.C.
Cheret, Jules Femme Assise Charcoal drawing on antique laid paper with an indistinct watermark. 1912 14 5/8 x 8 3/4 in. | Framed: 21 1/2 x 15 1/4 in.

Signed and dated in charcoal lower right.

November 2, 2000 Galerie Michael, Beverly Hills $5,083.00 X cheret_-femme_assise_-docs.pdf G.Pi.R.
Chihuly, Dale Sunset Macchia Handblown glass 2005 Approx 7" tall

Engraved signature. *Note: Included literature says “Delivered with the book Chihuly alla Machia . . . Piece shipped with plexiglass display case.” Neither of those were included.

April 16, 2008 Chihuly, Las Vegas $5,200.00 chihuly_-sunset_macchia_-docs.pdf G.B.K.
Colin, Gustave Personnages sous la Pluie (People in the Rain) Oil on panel 1890 12 5/8 x 9 1/2 in. (32 x 24 cm)

Signed lower left ‘Gust. Colin’; inscribed on the reverse ‘Une rue a Bagneres de Bigorre’ (“A street in Bagneres de Bigorre”). Provenance: Collection Armand Doria, Paris; Private collection, Oise.

January 7, 2002 Stoppenbach & Delestre Ltd., London $4,950.00 colin_-_personnages_-_docs.pdf G.H.
Corot, Jean Baptiste Camille Esquisse pour le Petit Berger Oil on Canvas c. 1835-40 8.5 x 6.5 in. (21.6 x 16.5 cm) | 14.5 x 12.5 in. framed

Signed lower left. Provenance: Collection Jules Badin. The work will be included in the sixth supplement to Alfred Robaut’s Corot Catalogue Raisonne being prepared by Martin Dieterle and Claire LeBeau.

September 24, 2001 Galerie Michael, Beverly Hills $80,000.00 X corot_esquisse_80000.pdf G.H.
Corot, Jean Baptiste Camille La Femme de Loth (Lot's Wife) Oil on Canvas c. 1835-40 7.25 x 11 in.

This work will be included in the forthcoming fifth supplement to Alfred Robaut’s Corot catalogue raisonne being prepared by Martin Dieterle and Claire Lebeau. PROVENANCE: In discussing this work, Martin Dieterle points out that the present work is mentioned in the archives of Tedesco Freres. It was noted that a study for the subject “La Femme de Loth” was seen in the artist’s studio. This confirms that Corot intended to paint a larger work as a decoration for placement in a salon or house of worship, as suggested by the rounded edges at the top corners. This type of veiled figure in white, sometimes interpreted as “La Femme de Loth” or merely as a ghost or “soul”, appears in several works by Corot including “L’incendie de Sodome” (Metropolitan Museum of Art).

December 27, 2000 Galerie Michael, Beverly Hills $75,000.00 X corot_la_femme_75000.pdf G.H.
Cortes, Edouard Leon Paysage de La Chemin avec Pommiers en Fleurs (Gouvernes) (Landscape Path with Apple Trees in Bloom) Oil on Canvas 25.5 x 36 in. | 41 x 50 1/4 in. framed

Signed. Edouard Leon Cortes (1882-1969). Provenance: Frost&Reed, London; Private collection, FL.; Roughton Gallery Dallas; Tom Kimble, UT. Appraisal 2000: $125,000.00

October 22, 2000 Roughton Gallery, Dallas $82,000.00 X cortes_paysage_landscape_path_with_apple_trees_in_bloom_82000_w_color_neg.pdf G.H.
Cortes, Edouard Leon Le Jardin Des Tuileries (Tuileries Garden) (Facing the Louvre in the Fall) Oil on Canvas c. 1950 13 x 18 in. | Framed: 22 1/2 x 27 1/2 in.

Signed. Provenance: Arnot, NY; Collection Mr. & Mrs. Bonner, Dallas; Roughton Gallery, Dallas; Tom Kimble. Appraised 2000: $50,000.

August 3, 2000 Roughton Gallery, Dallas $40,000.00 X cortes_tuileries_40000.pdf G.F.H.
Cortes, Edouard Leon Marche aux Fleurs a La Madeleine (Flower Market at La Madeleine) Oil on Canvas 1945 13 x 18 in. | Framed: 22 3/4 x 27 7/8 in.

Signed, l/I. unlined, no restoration. #24265. Roughton Gallery guarantees that this painting is by the hand of Edouard Leon Cortes (1882-1969). Provenance: Arnot, NY 1945. Collection Babe, Cuba;Roughton Gallery, Dallas; Tom Kimble,

September 28, 2000 Roughton Gallery, Dallas $45,000.00 X cortes_marche_fleurs_45000.pdf G.F.H.
Dali, Salvador Alice in Wonderland Bronze Statue, lost-wax process H. 35.6 in. (90.5 cm.), W: 17.3 in. (44 cm.), D: 7.9 in. (20 cm.)

Number 234 from a limited edition of 350 + 35 E.A.

March 17, 2001 County Hall Gallery, Ltd., London $16,967.00 X dali_-_alice_in_wonderland_-docs.pdf G.H.
Dali, Salvador Persistence of Memory Bronze sculpture 1980 14 1/2 in. tall (37 cm)

From the edition of about 100

March 11, 2002 County Hall Gallery, Ltd., London $7,350.00 X dali_-_persistence_of_memory_-docs.pdf G.F.R.
Dali, Salvador Annunciation Watercolor on wove paper 1948 13 7/8 x 15 1/2 in. | 27 1/4 x 28 1/4 in. framed

Signed and dated lower right. Provenance: Collecton Julien Levy, Paris. Private collection, Massachusetts; Private collection, California; Exhibited: Achim Moeller Fine Art, New york. Looking at Drawings Late 19th and 20th Century Master Drawings, 1988.

March 4, 2002 Pasquale Iannetti Art Galleries, Inc., San Francisco $77,500.00 X dali_-_annunciation_77500.pdf G.F.H.
Dali, Salvador Inferno #25, The Centaur Etching Images: 10 x 7 1/4 in. (each) | Framed: 25 3/8 x 33 3/8 in. (both)

Woodblock print and copper plate etching from Dante’s Divine Comedy commemorative series.

March 17, 2002 Barry Chappell, California; San Francisco Design, Utah $2,699.00 X dali_-_inferno_25_the_centaur_-docs.pdf G.C.
Dali, Salvador Tulipa Crudeliter Basientes - Surrealistic Flowers Heliogravure 1972 Image: 22 1/4 x 15 1/4 in. | Paper: 29 1/2 x 21 1/2 in. | Framed: 35 x 27 1/4 in.

Handsigned. Numbered 76 of 350. From the second suite of Surrealistic Flowers published by Editions Graphiques Internationales, Paris in 1972. The first suite does not have the title printed below the image.

March 17, 2002 County Hall Gallery, Ltd., London $5,500.00 X dali_-_tulipa_crudeliter_basiantes_-_docs.pdf G.C.
Dali, Salvador Iris germanica cum ocellis italicis - Surrealistic Flowers Heliogravure 1972 Image: 22 1/4 x 15 1/4 in. | Paper: 29 1/2 x 21 1/2 in. | Framed: 35 x 27 1/4 in.

Handsigned. Numbered 78 of 350. From the second suite of Surrealistic Flowers published by Editions Graphiques Internationales, Paris in 1972. The first suite does not have the title printed below the image.

March 17, 2002 County Hall Gallery, Ltd., London $5,500.00 X dali_-_iris_germanica_cum_ocellis_italicis_-_docs.pdf G.C.
Dali, Salvador Lilium Aurancacium et labra barocantia - Surrealistic Flowers Heliogravure 1972 Image: 22 1/4 x 15 1/4 in. | Paper: 29 1/2 x 21 1/2 in. | Framed: 35 x 27 1/4 in.

Handsigned. Numbered 76 of 350. From the second suite of Surrealistic Flowers published by Editions Graphiques Internationales, Paris in 1972. The first suite does not have the title printed below the image.

March 17, 2002 County Hall Gallery, Ltd., London $5,500.00 X dali_-_lilium_aurancacium_et_labra_barocantia_-_docs.pdf G.C.
Dali, Salvador Dahlia Rapax - Surrealistic Flowers Heliogravure 1972 Image: 22 1/4 x 15 1/4 in. | Paper: 29 1/2 x 21 1/2 in. | Framed: 35 x 27 1/4 in.

Handsigned. Numbered 78 of 350. From the second suite of Surrealistic Flowers published by Editions Graphiques Internationales, Paris in 1972. The first suite does not have the title printed below the image.

March 17, 2002 County Hall Gallery, Ltd., London $5,500.00 X dali_-_dahlia_rapax_-_docs.pdf G.C.
Dali, Salvador Le Christ Etching printed in sanguine ink on Japan paper. Signed. Numbered X/C. c. 1965 30 x 22 in. | 33 x 25 1/2 in. framed. November 19, 2003 Christopher Clark Fine Art, San Francisco $6,000.00 X dali_-_le_christ_6000.pdf G.C.
Daubigny, Charles Francis Village Scene Oil on wood panel Wood panel: 10 x 8 3/4 in. | Framed: 17.5 x 16.5 in.

Provenance: Emanuel Walter Collection; San Francisco Museum of Art

G.F.R.
Degas, Edgar Dancers in the Wings Original etching, aquatint and drypoint 1879-80 5.5 x 4.1 in. (140 x 104 mm) | 15 3/8 x 12 3/8 in. framed.

There were 20 proofs from the 9 states. After Degas’ death, Ambroise Vollard published an edition of 150 impressions from the cancelled plate. This impression is from Vollard’s edition of c. 1919-1920. Delteil 26, Adhemar 28, R&S 47. Provenance: Spaightwood Galleries, Wisconsin. ? L. Delteil, Le Peintre-Graveur illustré, Degas, New York, 1968, vol. IX, no. 39 (other impressions illustrated).?
J. Adhemar, F. Cachin, The complete etchings, lithographs and monotypes, London, 1974, or Jean Adhémar and Françoise Cachin, Degas: The Complete Etchings, Lithographs, and Monotypes,
Viking Press (New York, 1973). ?? B. S. Shapiro, S. W. Reed, Edgar Degas: The Painter as Printmaker, Boston, Museum of Fine Arts, Philadelphia Museum of Art, London, Hayward Gallery, Boston, Philadelphia and London, 1984 ??

March 10, 2003 Spaightwood Galleries, Wisconsin $1,275.00 degas_-_dancers_in_wings_-_docs.pdf G.F.H.
Degas, Edgar Self Portrait Original etching 1857 9.1 x 5.6 in. (23.1 x 14.3 cm) | 15 5/8 x 12 3/8 in. framed.

There were 11 proofs of the four states before cancellation. After Degas’ death, Ambroise Vollard published an edition of 150 impressions from the cancelled plate. This impression is from Vollard’s edition of c. 1919-1920. Delteil 1, Adhemar 13. Provenance: Spaightwood Galleries, Wisconsin

March 10, 2003 Spaightwood Galleries, Wisconsin $1,650.00 degas_-_self_portrait_-_docs.pdf G.F.H.
Delpy, Hippolyte Camille Coucher de Soleil (Sunset) Oil on Panel 1895 16 x 28 in. (40 x 71.1 cm) | 23 7/8 x 36 in. framed

Damaged? Signed and dated 1895. Provenance: Private collection, Paris.

December 5, 2000 Roughton Galleries, Dallas $20,000.00 X delpy_de_soleil_20000.pdf G.B.F.R.
Derain, Andre Portrait de Femme (Portrait of a Lady) Oil on Canvas c. 1946-50 15 3/4 x 13 1/2 in. (40 x 34 cm.) | 20 1/4 x 17 7/8 in. framed

Signed.

January 4, 2001 Galerie Michael Haas, Berlin $21,520.00 derain_portrait_21520.pdf G.B.F.R.
Derain, Andre Frau im Park (Woman in Park) Oil on Panel c. 1948 6.1 x 8.7 in. (15.5 x 22 cm.) | 12 x 14 3/8 in. framed.

Signed.

January 4, 2001 Galerie Michael Haas, Berlin $14,800.00 derain_-_frau_im_park_-docs.pdf G.C.
Fantin-Latour, Henri Richard Wagner Lithograph c. 1886-1890 9 1/8 x 6 in. | 24 1/4 x 20 3/8 in. framed

From Galerie Michael, Beverly Hills

February 19, 2003 Galerie Michael, Beverly Hills $1,950.00 fantin-latour_wagner_1950.pdf G.C.
Fantin-Latour, Henri La Tentation de Saint-Antoine Oil on Canvas 1891 9.6 x 12.1 in. (24 x 31 cm) | 15 7/8 x 18 1/8 in. framed.

Signed.

January 6, 2002 The Art Collection, Inc., New York $32,500.00 fantin-latour_temptation_32500.pdf G.C.
Febvre, Edouard Le Jardin des Tuilleries (Tuileries Garden) Oil on Board 19.5 x 29 in. | Framed: 31 3/4 x 40 1/4 in.

Signed lower right.

February 19, 2003 Galerie Michael, Beverly Hills $4,500.00 X febvre_-_le_jardin_des_tuileries_-_docs.pdf G.M.B.
Finart, Noel-Dieudonne The Disembarkment of Bonaparte at Aboukir in 1978 Oil on Canvas 15 x 22 in. (38.3 X 56.8 cm). | 21 7/8 x 28 3/4 in. framed

Signed.

October 27, 2000 Galeries de Souzy, Paris $23,000.00 X finart_napoleon_23000.pdf G.C.
Forain, Jean Louis Portrait of a Lady Pen and Watercolor on Paper 9.25 x 6 in. Framed: 10 3/4 x 12 3/4 in. January 19, 2001 Mark Murray Fine Paintings, New York $3,000.00 forain_portrait_3000.pdf G.C.
Galien-Laloue, Eugene Picnic at the Lake Oil on Canvas 18.5 x 26 in. | 26 1/4 x 33 7/8 in. framed

Signed lower left, E. Galiany

December 3, 2000 Galleries Maurice Sternberg, Chicago $35,500.00 X galien-laloue_picnic_35500.pdf G.H.
Gallard, Michel De L'église Saint-Gervaise (St. Gervaise Church) Oil on Canvas 31.2 X 39.4 in (81 x 100 cm) | Framed: 44 3/4 x 52 1/4 in.

Signed lower left. “NFS” (?) Ref. 120-9

September 30, 2000 Galerie de la Presidence, Paris $8,500.00 gallard_st-_gervaise_8500.pdf G.K.
Garner, Lionel A Montreuil-Bellay Oil on Canvas 32 x 46 in.

LOCATION UNKNOWN. Likely sold (or on consignment).

July 21, 2000 $9,000.00 X garner_montreuil-bellay_9000_nfs.pdf
Gauguin, Paul Manao Tupapau Original Lithograph in pen, crayon & wash printed in black on Santa Marie paper 1894 7.065 x 10.5 in.

With full margins and deckled edges. Signed in the stone with artist’s monogram in upper left corner: “PGO”. Titled on the stone lower left. Trial proof impression from the collection of Sir Michael Sadler, annotated in lower margin, aside from the edition of 100.

October 25, 2000 Post Impressionist Gallery, San Francisco $24,000.00 X gauguin_manao_tupapau_24000.pdf G.C.
Goya, Francisco De Cogida de un Moro Estando en la Plaza, 1816 Original Etching and Aquatint on Laid Paper with Full Margins 1816 12 9/16 x 8 1/2 in.

Original etching and aquatint on laid paper with full margins. Signed in lower left corner, inverted: “Goya.” An impression from the first edition. The eigth plate from the series of 33 etchings entitled “La Tauromaquia,” numbered in the plate upper right. The album of thirty-three aquatints was first published by Goya in a small edition in 1816. The timelessness of the artist’s imagery, however, is evidenced by the fact that there were six subsequent editions posthumously published by Calcografia in 1855, 1876, 1905, 1921, 1928 and 1937. Though the imagery remains uniquely Goya’s throughout these editions, Tomas Harris states in his 1964 catalogue raisonne of the artist’s prints: “lt is only in the extremely fine first edition of 1816 that the full qualities of all thirty-three plates can be appreciated.” Catalogue Reference: Delteil 231; Harris 211, plate 8

October 31, 2000 Pasquale Iannetti Art Galleries, Inc., San Francisco $4,250.00 X goya_bullfight_4250.pdf G.C.
Guillaumin, Armand Jean-Baptiste Paysage à l'arbre Oil on Canvas 1890 19.3 x 25.6 in. (49 x 65 cm.) | 30 5/8 x 37 in. framed

Signed lower right and inscribed lower left. Provenance: Dreesmann collection, Loosdrecht (The Netherlands). Literature: “Armand Guillaumin l84l-I927, catalogue raisonne de I’oeuvre peint”, by Georges Serret and Dominique Fabiani, Editions Mayer, Paris, 1971 , # 220 with b/w illustration and colour illustration

December 16, 2001 Galerie Michael Haas, Berlin $55,000.00 guillaumin_paysage_55000_w_color_neg.pdf G.H.
Harpignies, Henri Joseph Landscape with Rooftops Oil on Canvas 8.5 x 16 in. | 14 x 21 5/8 in. framed

Signed and dated Harpignies 84.

January 31, 2002 Mark Murray Fine Paintings, New York $6,500.00 harpignies_landscape_6500.pdf G.H.
Helleu, Paul Cesar Madame Chepin Color Drypoint on Wove Paper ca. 1889 Image: 20 x 11.5 in. | Sheet: 27 1/4 x 21 1/4 in. | Framed: 30 1/4 x 23 1/2 in.

Signed.

October 20, 2000 Eleonore Austerer Gallery, San Francisco $7,200.00 helleu_madame_chepin_7200_nfs.pdf G.Pi.R.
Jeanniot, Pierre-Georges Café Scene Original Aquatint Etching with Hand-coloring c. 1900 19.5 x 16 in. (image); 24.5 x 20 in. (sheet); 27 3/4 x 23 3/4 in. (framed).

Signed in pencil, lower right: “Bon á tiré

October 26, 2000 Pasquale Iannetti Art Galleries, Inc., San Francisco $5,500.00 X jenniot_cafe_5500.pdf G.C.
Leger, Fernand Femme Lithograph in Colors 1952 Image: 13 x 10 in. | Paper: 22 1/2 x 15 1/2 in. approx. | Framed: 24 1/4 x 17 3/8 in.

Edition of 200. Signed and numbered by the artist. 167/200

September 11, 2001 Galerie Michael, Beverly Hills $3,500.00 X leger_femme_3500.pdf G.C.
Leger, Fernand Composition Glazed ceramic sculpture 12 x 10 x 1 7/8 in. (30.5 x 25.4 x 4.8 cm) | Box/frame: 18 7/8 x 17 1/4 in.

Inscribed on reverse “Edition Originale de F. Leger, No. 3 Ceramiste R. Brice Biot, AM’

October 29, 2000 Galleries Maurice Sternberg, Chicago $9,500.00 leger_-_composition_-docs.pdf G.C.
Legrand, Louis Auguste La Parisienne Color etching with aquatint, printed on vellum 1905 24 x 16 in. | Framed: 29 7/8 x 22 1/4 in.

Signed in pencil and numbered at bottom ‘4/4.’  CoA says “with the red stamp of Gustave Pellet, the publisher, lower right” but not seen, see pictures.
Lugt, 1193

October 20, 2000 Galerie Michael, Beverly Hills $8,330.00 X legrand_louis_-_la_parisienne_-_docs.pdf G.Pi.R.
Lépine, Stanislas Victor Edouard La Seine au Pont Royal (The Seine at the Pont Royal) Oil on Panel c. 1885-87 5.75 x 9.5 in. (14.5 x 24 cm.) | Framed: 14 1/8 x 10 3/8 in.

With color negative. Signed. Provenance: M Poubelle, Paris; Sale, Paris, Hotel Drouot, Collection M Poubelle, 4th June, 1908, lot 44; Mme Fenestre, Paris; Galerie Schmit, Paris; Mme de Toledo Lara, Sao Paolo; Marlborough Fine Art, London; Private collection, acquired from the above in the 1950s, thence by descent. Exhibited: London, Marlborough Fine Art, French Landscapes, 1961, no 25; London, Marlborough Fine Art, A Great Period of French Painting, 1963, no 16. Literature: Robert and Manuel Schmit, Stanislas Lepine 1835 – 1892. Catalogue raisonne de l’oeuvre peint, Paris, 1993, p 34 no 84, illustrated.

January 1, 2002 Richard Green at Three London Galleries, London $40,000.00 lepine_-_the_seine_at_the_pont_royal_la_seine_au_pont_royal_40000_w_color_neg.pdf G.F.R.
Levis, Maurice Dieppe Oil on Canvas 11 x 14 in. (28 x 35.5 cm) | 17 7/8 x 21 in. framed

Signed lower right ‘Maurice Levis.’ Dieppe was a popular French resort that was frequented by many prominent artists and art patrons of the 19th century.

January 23, 2002 Schiller & Bodo, New York $12,000.00 levis_-_dieppe_12000.pdf G.H.
Levis, Maurice Washer Women on a River Bank (Blanchisseuse aun Riviere Banque) Oil on panel c. 1925 Panel: 6.5 x 9.5 in. (16.5 x 24.2 cm.) | Framed: 10 1/8 x 13 3/8 in.

A pair with At the River’s Edge. Both signed.

January 10, 2002 Richard Green at Three London Galleries, London $17,500.00 levis_-_washerwomen__at_the_rivers_edge_-_docs.pdf G.F.R.
Levis, Maurice At the River's Edge Oil on panel c. 1925 Panel: 6.5 x 9.5 in. (16.5 x 24.2 cm.) | Framed: 10 1/8 x 13 3/8 in.

A pair with Washer Women ona River Bank. Both signed.

January 10, 2002 Richard Green at Three London Galleries, London $17,500.00 levis_-_washerwomen__at_the_rivers_edge_-_docs_1.pdf G.F.R.
Lorrain, Claude (after) Seaport with the Villa Medici (Port de mer avec la villa Médicis) a.k.a. The Port Oil on canvas 1637 (original) | 19th Century 10 3/8 x 15 1/4 in. | Framed: 16 1/8 x 21 1/4 in.

After the original oil painting, 1637, Uffizi Gallery, Florence.  (Circle of Salvator Rosa). Italian School. Companion to The Forest of Philosophers (Forest Workers) after the manner of Salvator Rosa.

December 19, 2000 Robert L. White, South Carolina (millionaire.com) $1,585.00 documents.pdf G.B.W.R.
Luce, Maximilien Vase de Fleurs Oil on paper laid down on canvas 17.5 x 14.5 in. (44.5 x 36.8 cm.) | 24 3/8 x 21 in. framed. October 29, 2000 Circline, Inc. $20,475.00 luce_-_vase_de_fleurs_-_20475.pdf G.C.
Manet, Edouard Les Gitanos Etching on creme Van Gelder Zonen laid, watermarked paper 1861 12 1/2 x 9 1/4 in. | 21 x 17 3/4 in. framed

Signed in the plate lower right. From the complete suite of 30 etching, no. 4/30. Printed by A. Strolin, Maison Dumont, Paris, 1905. From the edition of 100. Harris 18. Purchased from Galerie Michael, Beverly Hills.

February 19, 2003 Galerie Michael, Beverly Hills $4,500.00 X manet_-_les_gitanos_-_docs.pdf G.H.
Manet, Edouard Jeanne (Le Printemps) Etching, aquatint and roulette 1882 Image: 6 1/4 x 4 1/4 in. | Paper: 11 x 7 1/2 in. | Framed: 15 3/4 x 12 3/4 in.

Signed in the plate, published by Imp. A. Porcabeuf, Paris, for the Gazette des Beaux-Arts in 1902. Literature: Guerin No. 66; Harris No. 88, third state of 5.

October 17, 2000 Eleonore Austerer Gallery, San Francisco $5,400.00 X manet_-_jeanne_le_printemps_-_docs.pdf G.Po.R.
Matisse, Henri Dessins, Themes and Variations - Theme A, Variation 6 Collotype, edition of 950 1943 9.5 x 12.75 in. | 22 7/8 x 19 7/8 in. framed

Signed, dated and numbered: ‘A6 Henri Matisse 41’ (lower right). Matisse executed a phenomenal 158 drawings within this period, which were then gathered into a portfolio, reproduced and published in 1943 as Dessins: Thèmes et variations. The drawings were executed systematically: there were 17 sequences or themes, lettered A to P, with each theme consisting of 3 to 19 variations. Illustrations from the above portfolio Theme I, Variation 8, and Theme A, Variation 6, after a drawing executed between 1941-42. From the limited edition of 950, 1-10 on Japon, 11-30 on Arches and 31-950 on Velin pur fil, the portfolio cover sheet was signed by the artist. Portfolio No. 668. Published by Martin Fabiani, Paris, 1943. Literature: Musee Matisse, Nice pg. 81; Duthuit Catalogue Raisonne, 1983.

August 8, 2000 Eleonore Austerer Gallery, San Francisco $2,200.00 X matisse_dessins_4700_2_pieces_1.pdf G.Po.R.
Matisse, Henri Buste de Jeune Fille, les Bras Croises (Bust of Young Girl, Arms Crossed) Original Lithograph 1925 Image: 5.75 x 8.5 in. | Platemark: 7 5/8 x 5 in. | Sheet: 13 3/4 x 10 15/16 in. | Framed: 25 x 22 1/4 in.

Hand signed in pencil & numbered 45/50 from the edition of 50 on Japon paper aside from five trial proofs and ten artist’s proofs. Literature: Duthuit No. 450, Fribourg 407.

November 2, 2000 Eleonore Austerer Gallery, San Francisco $11,800.00 X matisse_buste_11800.pdf G.Po.R.
Matisse, Henri Dessins, Themes and Variations - Theme I, Variation 8 Collotype, edition of 950 1943 9.5 x 12.75 in. | 19 7/8 x 23 in. framed

Signed, dated and numbered: ‘I8 Henri Matisse 42’ (lower right). Matisse executed a phenomenal 158 drawings within this period, which were then gathered into a portfolio, reproduced and published in 1943 as Dessins: Thèmes et variations. The drawings were executed systematically: there were 17 sequences or themes, lettered A to P, with each theme consisting of 3 to 19 variations. Illustrations from the above portfolio Theme I, Variation 8, and Theme A, Variation 6, after a drawing executed between 1941-42. From the limited edition of 950, 1-10 on Japon, 11-30 on Arches and 31-950 on Velin pur fil, the portfolio cover sheet was signed by the artist. Portfolio No. 668. Published by Martin Fabiani, Paris, 1943. Literature: Musee Matisse, Nice pg. 81; Duthuit Catalogue Raisonne, 1983.

August 8, 2000 Eleonore Austerer Gallery, San Francisco $2,500.00 X matisse_dessins_4700_2_pieces.pdf G.Po.R.
Matisse, Henri Visage de Profil Reposant sur un Bras, Paravent Louis XIV (Faces in Profile, Resting on Arm, Louis XIV Screen) Original Lithograph printed in black ink on laid China paper. 1924 11 13/16 x 9 7/16 in. (image). 16 15/16 x 12 1/2 in. (sheet). 25 x 22 1/2 in. (framed).

A proof aside from the edition of 50. In excellent condition, printed on a sheet with full margins. Provenance: ex-collection Henri M. Petiet (French, 1894-1980), the famous Parisian art collector, gallery owner and publisher, whose collection was noted not only for the importance of its contents, but for the extraordinarily fine quality of each individual impressions therein, with his collection stamp in black ink verso. Public Collections in which impressions of this lithograph can be found: Bibliotheque Nationale, Paris; Bibliotheque d’Art et Archeologie, Paris; Musee Matisse, Nice; Museum of Art, Baltimore; University of California, Los Angeles. Literature: Fribourg 403; Duthuit-Matisse 447.

October 1, 2004 Christopher Clark Fine Art, San Francisco $19,500.00 X matisse_visage_19500.pdf G.Po.R.
Miro, Joan Partie de Campagne IV Original etching and aquatint 1967 23 x 36 3/8 in. (58.4 x 92.5 cm.). Paper: 29 x 41 in. Framed: 35 1/2 x 47 1/2 in.

Edition 6/75

April 3, 2002 Peter Bartlow Gallery, Chicago $9,500.00 miro_-_partie_de_campagne_iv_-_invoice.pdf G.M.R.
Miro, Joan Astres et Danseurs Original etching (aquaforte) in sepia 1938 Paper: 9.8 x 11.4 in. (25 x 29 cm); Image: 2 3/4 x 4 in.; Framed: 12 3/4 x 14 3/8 in.

Hand signed in pencil. The annotation “Epreuve d’artiste” is hand-written by Miro. Indexed in the catalogue raisonne “Miro Graveur I” n 19. Edition 30 exemplers hand-signed in black + 4 on parchment + some artist proofs and HC in black or sepia. Pierre Loeb, Paris and Pierre Matisse, New York publishers. Engraved in the studio of Marcoussis, and printed in the studio of Lacouriere, Paris.
Provenance: Private collection, France (a woman who worked with Adrien Maeght in Cannes during WWII and after in Paris. She was the director of the editions, and worked directly with the artist edited by the gallery.); Galerie Michelle Champetier, Nice (France), c. 1981; Kimble Collection, Utah, 2001.

August 21, 2001 Galerie Michelle Champetier, Nice (France) $5,400.00 miro_-_astres_et_danseurs_5400.pdf G.C.
Miro, Joan Le Courtisan Grotesque Color Etching and Aquatint 1974 Paper: 16 1/2 x 23 1/4 in. | Framed: 23 1/2 x 30 in.

Hand signed by the artist. From the suite “Le Courtisan Grotesque”. Indexed in the catologe raisonne “Miro Graveur III” no 667, and in the book “Miro: les livres illustres” by Patrick Cramer, no 182. Edition: 25 exemplars hand-signed. Number: without – a proof aside the numbered edition.

November 7, 2001 Galerie Michelle Champetier, Nice (France) $4,342.00 miro_-_le_courtisan_grotesque_4342.pdf G.C.
Miro, Joan Constellation Colour lithograph on Arches paper c. 1959 17 1/8 × 14 1/8 in. (43.5 × 36 cm) | 19 1/2 x 16 1/2 in. framed

Signed and numbered. No. 65/150. Framed.

November 8, 2000 Barrington Gallery of London LTD, New York $7,500.00 X miro_-_constellation_-_docs.pdf
Morisot, Berthe Jeune Fille Accoude (Young Girl Leaning) Original drypoint etching 1888/1909 7 1/2 x 9 3/4 in. | Image: 3 x 4.5 in. | Framed: 11 x 12 1/2 in.

272/1000. Numbered 272/1000 from the total edition of 1000. Published in Die Impressionisten, text by Theodore Duret; Bruno Cassirer, publisher, Berlin 1909.

August 27, 2000 Eleonore Austerer Gallery, San Francisco $1,540.00 X morisot_-_jeune_fille_accoude_-_docs.pdf G.H.
Morisot, Berthe La Lecon de Dessin (The Drawing Lesson) Drypoint etching c. 1890 Image: 7 x 5 in. | Paper: 11 x 7 1/4 in. | Framed: 13 3/8 x 11 1/8 in.

Published by Gazzette des Beaux-Arts, Paris in 1907

October 17, 2000 Eleonore Austerer Gallery, San Francisco $3,400.00 X morisot_-_la_lecon_de_dessin_-_docs.pdf G.H.
Neer, Aert van der Untitled (a moonlit landscape) 5 1/2 x 6 7/8 in. | Framed: 14 1/4 x 15 1/2 in. G.H.
Picasso, Pablo Rembrandt a la Palette Etching on Arches wove paper with a Picasso watermark 1934 11 x 7.75 in. | 15 1/4 w x 19 1/2 in. framed.

Signed in pencil, lower right. From the “Vollard Suite”, from the edition of 250, with full margins.

October 20, 2000 Galerie Michael, Beverly Hills $18,530.00 X picasso_-_rembrandt_18530.pdf G.F.R.
Picasso, Pablo Tête de Femme Demi-Profil à Gauche, 1936 Original Drypoint Etching 1936 13.5 x 9.75 in. (image). 15 3/4 x 20 in. (paper). 34 3/8 x 30 1/4 in. (framed).

A rare printer’s proof on Verge d’Auvergne Richard de Bas paper, hand signed, aside from the edition of 50, plus artist proofs. Literature: Bloch n. 291.

April 27, 2000 Eleonore Austerer Gallery, San Francisco $17,000.00 X picasso_-_tete_de_femme_17000_nfs.pdf G.H.
Picasso, Pablo Chouette Ceramic Plate, unglazed 1955 15 1/4 in long x 12 1/2 in wide x 1 7/8 in deep | Box/frame: 22 1/2 x 19 1/2 in.

Inscribed edition/Picasso/Madoura and stamped Edition/Picasso Madoura/Plein Feu on the underside. Executed in 1955, edition of 450. Literature: Picasso’s Ceramics by Georges Ramie, Viking Press, New York, 1976, No. 726, p. 279. ISDN 0-670-55323-9. Picasso Catalogue of Edited Ceramic Works 1947-1971, by A Ramie, Madoura, 1988, Plate 284, pg. 146 (cf. related example illustrated in color).

October 29, 2000 Galleries Maurice Sternberg, Chicago $11,000.00 X picasso_-_chouette_-_ceramic_plate_11000.pdf G.C.
Picasso, Pablo Buste de Femme 12-color serigraph on hand-rolled 14mm custom woven silk twill. 1939 31 x 32 in. approx. | 33 3/4 x 32 3/4 in. framed

187/1000.  Edition year: 1992. Note: the cert of authenticity says the size is 35.4 x 35.4 in (90cm) but it’s actually about 31 x 32 in.

March 11, 2002 County Hall Gallery, Ltd., London $855.00 X picasso_-_buste_de_femme_-_docs.pdf G.C.
Picasso, Pablo Buste de Femme au Chapeau Bleu 12-color serigraph on hand-rolled 14mm custom woven silk twill. 1939 31 x 32 in. approx. | 33 3/4 x 32 3/4 in. framed

276/1000. Edition year: 1992. Note: the cert of authenticity says the size is 35.4 x 35.4 in (90cm) but it’s actually about 31 x 32 in.

March 25, 2002 County Hall Gallery, Ltd., London $700.00 X picasso_-_buste_de_femme_au_chapeau_bleu_-_docs.pdf G.C.
Picasso, Pablo Portrait au Cou Bleu Serigraph on woven silk twill 1946 Actual: 19 x 19 in. approx. | Framed: 20 1/2 x 20 1/8 in.

Note: Doesn’t match the certificate of authenticity: appears to be a scarf, not lithograph on paper; not numbered; different size/dimensions.

March 11, 2002 County Hall Gallery, Ltd., London $1,830.00 X picasso_-_portrait_au_cou_bleu_-_docs.pdf G.C.
Picasso, Pablo Jacqueline Multiple-color lithograph 19 x 23 in. approx. | 29 1/4 x 32 3/4 in. framed.

10/500. Arches paper. This limited edition lithograph was hand proofed and hand printed. The lithographs are signed by the Picasso estate, from the collection of Domaine Picasso. From San Francisco Design, Utah.

San Francisco Design, Utah $1,000.00 X picasso_-_jacqueline_-certificate_of_authenticity__tag.pdf G.C.
Picasso, Pablo Maternite au Rideau Rouge Lithograph 1922 29.9 x 21.85 in. (76 x 55.5 cm.) | 34 3/8 x 26 1/8 in. framed

273/500. Arches paper. Edition size: 500 copies + 34 artist’s proofs. Edition year: 1980. Distributed by Inter Art Resources LTD. This limited edition lithograph is numbered and hand-signed by Marina Picasso and stamped with embossed seal of the estate and chromist. Marina Picasso personally authorized and supervised the creation of the lithographs in this collection.

March 11, 2002 County Hall Gallery, Ltd., London $1,830.00 X picasso_-_maternite_au_rideau_rouge_-_docs.pdf G.C.
Pissarro, Camille Rue Saint Romain a Rouen Lithograph 1896 7.4 x 5.6 in. (189 x 142 mm) | 16 7/8 x 14 3/8 in. framed

Bearing stamped monogram & numbered 2/6. Posthumous edition of 6 apart from regular edition of 10. Delteil 178.

February 19, 2003 Galerie Michael, Beverly Hills $5,000.00 X pissarro_-_rue_st-_romain_a_rouen_5000_1.pdf G.Po.R.
Pissarro, Camille Faneuses Original Etching 1890 Image: 7 7/8 x 5 3/8 in. | Framed: 15 3/8 x 13 in.

A very good impression on cream laid paper, the final state. Literature: Le Peintre – Graveur Illustré by Lays Deteil.

August 27, 2000 Eleonore Austerer Gallery, San Francisco $3,800.00 X pissarro_faneuses_3800.pdf G.H.
Pissarro, Paul-Émile Le Jardin de la Mére Guibout (Le Jardin de la Mére Guibout) Original Pastel Drawing. c. 1940 10 x 12 in. approx. | Framed: 21 7/8 x 23 1/2 in.

Hand-signed by the artist: “Paul émìle Pissarro” lower left. Authenticated by Katia Pissarro, Paris November 12, 1986.

December 14, 2000 Pasquale Iannetti Art Galleries, Inc., San Francisco X pissarro_paul-emile_-_le_jardin_de_la_mere_buibout_-authenticity_report.pdf G.M.B.
Pradzynski, Thomas Villa Bocquet Serigraph 33.5 x 45 in. | 47 1/2 x 58 3/8 in. framed

A signed and numbered limited-edition serigraph. The classic edition of 200 plus proofs is printed on white Coventry Rag paper and the deluxe edition of 150 plus proofs is printed on black two-ply Museum Board paper.

pradzynski_-_villa_bocquet_-docs.pdf G.F.R.
Raffaelli, Jean-Francois L’Actrice en Voyage Color etching and drypoint 17 x 12 in. | 30 1/8 x 23 1/2 in. framed

Signed and inscribed lower right ‘Ep No 9 jf Raffaelli’; Edition of 60

October 29, 2000 Galleries Maurice Sternberg, Chicago $7,000.00 X raffaelli_-_lactrice_en_voyage.pdf G.SW.B.
Rembrandt, Harmensz The Agony in the Garden Etching 1663 4.2 x 3.3 in. (10.6 x 8.3 cm.) | 12 3/4 x 11 5/8 in. framed

From the “Collection of 200 Etchings” 1816.  Signed in plate, lower right: Rembrandt f. 165- [1657?]. Catalog Raisonné: Bartsch 75; Biörklund 57-3; Hollstein (White and Boon) 75. Literature: F. W. H. Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts. vols. 1-64, Amsterdam, 1954–2010, cat. no. B75, p. 40.  F. W. H. Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450-1700. 2008, cat. no. 269, p. 213, ill.

October 22, 2000 R.H. Ballard Fine Art Ltd., Virginia $2,900.00 rembrandt_-_the_agony_in_the_garden_2900.pdf G.H.
Rembrandt, Harmensz Christ at Emmaus Etching 1655 8 3/8 x 6 3/8 in. | 16 1/2 x 14 1/2 in. framed

Inscribed in plate on lower right: “Rembrandt f. 1655.”  Catalog Raisonne: Hind 282.iii; Hollstein XVIII.48.B.87 NH(Rembrandt).II.238.283 iv/iv. Literature: F. W. H. Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts. vols. 1-64, Amsterdam, 1954–2010, cat. no. B.87, p. 48.  F. W. H. Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450-1700. 2008, cat. no. 283, p. 238, ill.

October 22, 2000 R.H. Ballard Fine Art Ltd., Virginia $1,900.00 rembrandt_-_christ_at_emmaus_1900.pdf G.H.
Rembrandt, Harmensz The Good Samaritan Etching with Burin on laid paper with an Arms of Amsterdam watermark 1633 9 7/8 x 8 3/8 in. | 19 1/4 x 15 1/4 in. framed.

May have little or no value because Dad erased the pooping dog. Signed and dated. Fourth and final state. Trimmed to the platemark with narrow margins. B. 90; H. 101; BB. 33-A.

October 20, 2000 Galerie Michael, Beverly Hills $25,330.00 X rembrandt_-_the_good_samaritan_-_docs.pdf G.F.R.
Renoir, Pierre Auguste Mere et Enfant (Jean Renoir) (Mother and Infant) Color drypoint on creme laid paper c.1896 9 3/4 x 7 5/8 in. | 20 3/4 x 17 3/4 in. framed.

Stella 10. From the edition of 100 published in L’Album des peintres-graveurs by Ambroise Vollard (1896). A drypoint in black, light green, and pink on creme laid paper. Provenance: From the Henri Petiet Collection, bearing his collector’s stamp verso.

October 20, 2000 Galerie Michael, Beverly Hills $27,880.00 X renoir_mere_et_enfant_27880.pdf CAK.F.R.
Renoir, Pierre Auguste Sur la Plage, à Berneval (On the Beach, at Berneval) Etching on Laid Paper c. 1892 5 3/8 x 3 5/8 in. Paper: 13 1/8 x 10 in. Framed: 18 1/4 x 14 7/8 in.

Signed in the plate lower right. Posthumous impression, third and final state.

September 11, 2001 Galerie Michael, Beverly Hills X renoir_-_sur_la_plage_a_berneval_-docs.pdf G.F.R.
Renoir, Pierre Auguste Enfants Jouant à la Balle (Children Playing Ball) Lithograph printed in colors c. 1900 23 5/8 x 20 1/8 in. (image). 35 1/2 x 24 3/8 in. (sheet). 42 5/8 x 37 1/8 in. framed.

A fine, fresh impression, from the edition of about 200, on Arches paper with MBM watermark, the full sheet, in very good condition (soft horizontal creases and slight soiling in the large upper and lower margins).

March 11, 2003 Marc Rosen Fine Art, Ltd., New York $80,000.00 renoir_-_enfants_jouant_a_la_balle_children_playing_ball_80000.pdf G.F.R.
Renoir, Pierre Auguste Femme nue Couchée (Tournée à Droite) (Reclining Female Nude (Turned to the Right)) Original etching, printed in black ink on laid paper with a portion of a Fortuna watermark c. 1906 5 1/4 x 7 5/8 in. | 11 7/8 x 14 in. framed.

Published in Die Impressionisten, text by Theodore Duret; Bruno Cassirer, publisher, Berlin 1909. Numbered 272/1000 from the total edition of 1000. Literature: The Graphic Work of Renoir by Dr. Joseph Stella.

August 27, 2000 Eleonore Austerer Gallery, San Francisco $5,500.00 X renoir_couchee_5500.pdf G.H.
Renoir, Pierre Auguste Le Chapeau Epingle (The Pinned Hat) Etching Image: 4.5 x 3 in. Framed: 20 5/8 x 18 3/4 in. February 2, 2003 Williams Fine Art, Salt Lake City $7,000.00 renoir_-_le_chapeau_epingle_the_pinned_hat_-docs.pdf G.F.R.
Renoir, Pierre Auguste Jocaste Dansant (Jocasta Dancing (Wife of Oedipus)) Charcoal drawing on paper. 1895-1900 16.25 x 10.25 in. | 28 1/4 x 35 1/2 in. framed.

Provenance: Ambroise Vollard, Paris; Kornfeld, Switzerland; Martin Fabiani, Paris; Sheldon Ross Gallery, Michigan.

September 11, 2001 Galerie Michael, Beverly Hills $42,000.00 X renoir_-_jocaste_dansant_-_jocasta_dancing_wife_of_oedipus_-_42000.pdf G.H.
Renoir, Pierre Auguste Les Hautes de Cagnes (The Hills of Cagnes) Oil on Canvas 8 5/8 x 13 in. | Framed: 15 1/8 x 19 3/8 in.

Forgery likely. Signed ‘R.’ Provenance: Baron de Brocqueville, Brussels. Seller later convicted of art forgery.

January 22, 2002 The Art Collection, Inc., New York (Ely Sakhai) $58,000.00 renoir_-_les_hauts_de_cagnes_-docs.pdf G.F.R.
Requena, Rafael Dia de Niebla, Venecia Watercolor

LOCATION IS UNKNOWN.  Likely sold.  Signed on lower right.

July 21, 2000 Eleonore Austerer Gallery, San Francisco $6,800.00
Rivera, Diego The Market People Original watercolor on wove paper c. 1945 11 3/4 x 7 5/8 in. | 23 1/2 x 19 1/4 in. framed

Hand-signed at upper left: “Diego Rivera.’ Provenance: Given by the artist to Valentin Bouces, Embassador to Mexico.

February 22, 2001 Pasquale Iannetti Art Galleries, Inc., San Francisco $35,000.00 X rivera_market_people_35000.pdf G.H.
Robbe, Manuel Soir d'Ete (Summer Evening) Color aquatint and etching on wove paper 1906 14 7/8 x 19 1/2 in. | 23 1/4 x 27 1/4 in. framed

Signed in pencil lower left. From the edition of about 100, with full margins.

October 20, 2000 Galerie Michael, Beverly Hills $7,633.00 X robbe_-_soir_dete_-_docs.pdf G.SW.B.
Robbe, Manuel Le Manege (The Merry-Go-Round) Color aquatint 1905 16 1/2 x 23 1/2 in. | 24 7/8 x 31 in. framed

Signed in pencil upper left, with full margins. G.M. 129.

October 20, 2000 Galerie Michael, Beverly Hills $7,633.00 X robbe_le_manege_7633.pdf G.SW.B.
Robbe, Manuel La Place Blanche à Paris Color etching and aquatint 1903 19.5 x 14.5 in. | Image: 15 1/8 x 10 1/8 in. | Framed: 25 1/2 x 19 1/8 in.

Signed lower right and numbered “45/65” lower left. From the edition of sixty-five. M.C. 72.

October 20, 2000 Galerie Michael, Beverly Hills $7,565.00 X robbe_-_la_place_blanche_a_paris_7565.pdf G.Pi.R.
Robbe, Manuel Avril (April) Original etching and aquatint printed in colors on laid paper. c. 1906 19 1/2 x 12 7/8 in. (image) | 24 7/8 x 17 7/8 in. (sheet) | 28 3/8 x 20 7/8 in. (framed)

Hand signed in pencil, lower right: “Manuel Robbe.” A fine impression of the definitive state from the edition of approximately 100. ln excellent condition with fresh colors, printed on a sheet with full margins. Catalogue Reference: Perussaux 9; Weisberg 101.

October 31, 2000 Pasquale Iannetti Art Galleries, Inc., San Francisco $4,250.00 X robbe_avril_4250.pdf G.Pi.R.
Rosa, Salvator (after) The Forest of the Philosophers a.k.a. The Forest Workers Oil on canvas c. 1645 (original) | c. 1760-70 (reproduction) 10 3/8 x 15 1/4 in. | Framed: 16 x 20 3/4 in.

A reproduction of a work by Salvator Rosa of about 1645 (now in the Pitti Palace, Florence) depicting an episode from the life of Diogenes, the ancient Greek philosopher.  Also known as “The Forest Workers,” “Diogenes Throwing Away His Drinking Cup,” and “The Philosophers’ Wood.” Italian School.

December 19, 2000 Robert L. White, South Carolina (millionaire.com) $1,585.00 documents_1.pdf G.B.W.R.
Rouault, Charles Have Mercy on Me, O God, According to Thy Great Mercy (Miserere, Plate 1) Original aquatint, drypoint, burnisher, roulette. 1923 Image: 23 x 16 3/4 in. | Mat: 24 x 30 in. | Framed: 34 1/2 x 28 1/2 in.

From the edition of 450 impressions. Signed in the plate (there are no pencil-signed proofs). Rouault chose this work to introduce Miserere (Have Mercy), Rouault’s masterpiece series of 58 etchings and one of the most important series of the twentieth century.

March 10, 2003 Spaightwood Galleries, Wisconsin $3,900.00 rouault_miserere_3900.pdf G.C.
Sickert, Walter Mr. Johnson Etching 1915 5 x 3 1/4 in. (128 x 83 mm) | 17 1/2 x 15 1/2 in. framed.

Young man, seen in profile and facing front, sitting on a chaise-lounge; woman, seen from behind, looking into a mirror and combing her hair in the background; phrase inscribed along shelf or beam, “Fare tutti mestieri svergognati per campar onoratamente”; the small plate, c.1911 (published 1915). Published by: Carfax & Co. in London, England. Inscription content: Lettered with title and production detail: within image, “Sickert del et sc.” (at lower left); beneath image, “MR JOHNSON / Published by Carfax & Co 24, Bury Street, St James’s”.
Curator’s comments: Bromberg identifies one preparatory drawing, ‘Mr Johnson’, 1911 (Private Collection).
Troyen quotes Sickert who wrote in the ‘The Burlington Magazine’ during 1917 that the phrase included within the image was copied down for him by Degas ‘who took “delighted relish in it”‘.
Bibliographic references: Bromberg 2000 / Walter Sickert, prints: a catalogue raisonné (145.IV)
Troyen 1979 / Walter Sickert as Printmaker (81).

August 12, 2002 Goldmark Gallery, Uppingham, Rutland $1,800.00 sickert_-_mr_johnson_-_reciept.pdf G.C.
Signac, Paul St. Malo Watercolor, mixed media 1928 Mat window: 11 1/2 x 17 3/4 in. | Framed: 24 7/8 x 30 7/8 in. October 15, 2000 Hilde Gerst Gallery, New York $50,250.00 signac_st-_malo_50250.pdf G.B.K.
Signac, Paul Sailboats (Les voiliers) Watercolor on pencil on paper. 1924 4 1/8 x 5 1/2 in (10.6 x 14 cm.) | 10 1/2 x 10 3/4 in. framed

Signed with initials lower left and dated lower right.

August 1, 2001 Jill Newhouse, New York $7,500.00 signac_sailboats_7500.pdf CAK.F.R.
Signac, Paul Venice Watercolor 1904 7 5/8 x 10 in.; 12 3/4 x 15 1/8 in. framed

Hand signed, titled and dated in pencil by the artist, lower left recto.

March 8, 2001 Eleonore Austerer Gallery, San Francisco $12,500.00 X signac_venice_watercolor_12500.pdf CAK.F.R.
Signac, Paul Voilier en Port (Sailboat in Port) Original pencil and sepia wash on graph paper 4 1/8 x 6 1/2 in.; 15 3/4 x 18 1/2 in. framed

Hand signed with initials and inscribed.

August 8, 2000 Eleonore Austerer Gallery, San Francisco $9,500.00 X signac_voilier_en_port_9500.pdf CAK.F.R.
Signac, Paul "Notes" - Five Small Color Sketches Five original watercolors 1902 Deux Figures: 3 7/8 x 1 7/8 in; Une Group D'Arbres: 3 1/2 x 2 7/8 in; Un Ane: 3 1/8 x 2 3/4 in; Une Group ... Fleuve: 4 1/2 x 2 7/8 in; Trois Arbres: 4 1/2 x 2 3/4 in; Framed: 21 x 24 5/8 in.

Notes 1902″ 5 Petit Croque Colores.  Deux Figures Dans un Bateau; Un Ane; Trois Arbres; Une Group d’Arbres; Une Group d’Arbres Pres d’un Fleuve

December 22, 2000 Castile Gallery, North Carolina $18,000.00 X signac_5_watercolors_18000.pdf CAK.F.R.
Signac, Paul Gibralter; Côte d'Espagne; Vue d'une Cote Three original watercolors 8 3/8 x 11 in. each; 14 x 16 1/2 in. framed each.

Initialed in pencil lower right. The first two indistinctly titled in pencil, with a letter signed by the artist regarding the 3 drawings.

March 8, 2001 Eleonore Austerer Gallery, San Francisco $25,500.00 X signac_-_3_watercolors_-_docs.pdf CAK.F.R.
Somm, Henry A Lady at Her Window Watercolor on Paper 9.4 x 5.7 in. (24 x 14.5 cm) | 18 1/8 x 22 1/8 in. framed. March 2, 2003 Galerie Normand, Paris $4,950.00 somm_lady_4950.pdf G.M.B.
Somm, Henry La Parisienne à la Campagne Watercolor 1902 14 1/8 x 10 1/4 in. (35.8 x 26 cm) | 24 x 27 3/4 in. framed.

Signed lower right. Inscribed on the back ‘La Parisienne a la campagne 7902’

February 25, 2003 Stoppenbach & Delestre LTD, London $10,000.00 somm_la_parisienne_10000.pdf G.M.B.
Steinlen, Theophile La Veillee Charcoal on paper 6 1/2 x 9 1/2 in. (16.5 x 24.1 cm.) | 13 7/8 x 16 1/2 in. framed

Provenance: 1970 – Artist’s estate sale.

October 29, 2000 Galleries Maurice Sternberg, Chicago $2,500.00 X steinlen_la_veilee_2500.pdf G.C.
Tissot, James Jacques Joseph Sur L'Herbe (On the Grass) Etching and drypoint 1880 Image: 7 3/4 x 10 5/8 in. Framed: 17 7/8 x 20 1/4 in.

Second and final state. From the edition of about 100. Wentworth 50.

October 20, 2000 Galerie Michael, Beverly Hills $7,633.00 X tissot_sur_lherbe_on_the_grass_7633.pdf G.H.
Tissot, James Jacques Joseph Le Banc de Jardin (The Garden Bench) Mezzotint, black ink on China paper mounted on stiff wove paper c. 1883 Image: 16 1/4 x 22 in. Framed: 27 x 32 3/8 in.

Edition of at least 500 in three states. Tissot signed the plate “Tissot” in the lower left. Wentworth, 290; Baer, 1254.

November 7, 2000 Galerie Michael, Beverly Hills $11,475.00 tissot_le_banc_de_jardin_11475.pdf G.H.
Tissot, James Jacques Joseph La Soeur Aînée (The Older Sister) Etching and drypoint 1881 Image: 11 1/2 x 6 in. Framed: 21 5/8 x 15 3/4 in.

Signed and dated in the plate top center. Edition of about 100.

October 20, 2000 Galerie Michael, Beverly Hills $7,633.00 X tissot_la_soeur_ainee_7633.pdf G.H.
Tissot, James Jacques Joseph Reverie Etching c. 1882 Image: 9 x 4.4 in. | Framed: 19 1/4 x 14 1/4 in.

Signed and dated on plate, upper right. From the edition of about 100. Wentworth, 52.

January 25, 2002 Galerie Michael, Beverly Hills $6,000.00 tissot_reverie_6000.pdf G.H.
Tissot, James Jacques Joseph Berthe Etching and drypoint on imitation Japan paper 1883 Image: 14 x 11 in. | Framed: 30 x 26 3/8 in.

Signed and dated on the plate lower right. Wentworth 74.

February 19, 2003 Galerie Michael, Beverly Hills $6,000.00 X tissott_berthe_6000.pdf G.H.
Tissot, James Jacques Joseph Le Veuf (The Widower) Etching and drypoint 1877 Image: 14x9 in. | Framed: 28 1/2 x 22 1/2 in.

From the edition of approximately 100, signed and dated in the plate. Wentworth 28, Abbeville #93.

March 11, 2003 Eleonore Austerer Gallery, San Francisco $5,800.00 X tissot_le_veuf_5800.pdf G.H.
Tissot, James Jacques Joseph The Prodigal Son (suite of four): The Departure; The Return; In Foreign Climes; The Fatted Calf Etching on Van Gelder Zonen laid paper 1882 19.5 x 24.6 in.

LOCATION IS UNKNOWN.  Unframed.

Signed and dated on the stone lower right. From the total edition of 400, with full margins. Second and final state. Wentworth 58.

November 7, 2000 Galerie Michael, Beverly Hills $11,900.00 X tissot_prodigal_son_11900.pdf
Toulouse-Lautrec, Henri de Au Lit (In Bed) Lithograph 7.5 x 6 in. | 17 5/8 by 16 1/2 in. framed

Signed: T. Lautrec. Original stonelitho from the book “Autour de Toulouse-Latrec” by Paul Leclercq. Published by H. Floury in 1921. Special edition of 30.

July 21, 2000 Post Impressionist Gallery, San Francisco $4,500.00 X toulouse-lautrec_au_lit_in_bed_4500.pdf G.Pi.R.
Toulouse-Lautrec, Henri de Danseuse Anglaise (English Dancer) Lithograph 7.5 x 6 in. | 18 3/8 x 16 1/2 in. framed

Signed: T. Lautrec

July 21, 2000 Post Impressionist Gallery, San Francisco $4,500.00 X toulouse-lautrec_danseuse_4500.pdf G.Pi.R.
Valenti, Francoise Tuscany Watercolor Image: 8 x 10 in. | Framed: 22 1/4 x 24 1/4 in.

Signed: F. Valenti.

July 21, 2000 Post Impressionist Gallery, San Francisco $1,800.00 X valenti_tuscany_1800.pdf G.M.Ba.
Vignon, Victor Alfred Jeune Femme à la Campagne (Young Woman in the Countryside) Oil on Canvas c. 1880 21 5/8 x 15 7/8 in. (55 x 40 cm.) | 28 7/8 x 23 in. framed.

Signed lower left “V Vignon.” Provenance: Private collection, France. Exhibited:
Pictura 1911; no. 71

December 18, 2001 Stoppenbach & Delestre LTD, London $15,000.00 vignon_jeune_femme_15000_w_negative.pdf G.H.
Vlaminck, Maurice Maison dans un Paysage (House in a Countryside) Original gouache and watercolor on paper c. 1920 17.75 x 21.25 in. | 30 3/4 x 33 3/4 in. framed

Hand-signed lower right: “Vlaminck.” Provenance: From the private collection of Seldon Ring, accompanied with a certificate of authenticity from the Wildenstein lnstitute.

October 27, 2000 Pasquale Iannetti Art Galleries, Inc., San Francisco $32,300.00 X vlaminck_maison_32300.pdf G.H.
Vlaminck, Maurice La Pont Sur l'Oise à Méry (The Bridge Over the Oise at Méry) Color Lithograph c. 1926 9.5 x 13 in.

With margins. Walterskirchen 187II/c. Signed in pencil lower right and signed on the stone lower left. Second and final state, from the total edition of approximately 75; with the blindstamp of the publisher, Galerie des Peintres-Graveurs, Paris (Lugt 1057b), printed by Landelle, Maison Duchatel, Paris.

September 11, 2001 Galerie Michael, Beverly Hills $2,700.00 vlaminck_-_le_pont_sur_loise_a_mery_-_docs.pdf G.H.
Vuillard, Edouard Le Jardin des Tuileries (Tuileries Garden) Lithograph printed in colors ca. 1896 12 x 17.125 in. (image) | 17 x 22.5 in. (sheet) | 23 1/2 x 28 in. framed.

An exceptionally fresh impression, signed and numbered 81 from the edition of 100, on China paper, the full sheet. Roger-Marx 28.

April 1, 2003 Marc Rosen Fine Art, Ltd., New York $17,000.00 vuillard_le_jardin_17000.pdf G.M.B.
Whistler, James Abbott Rotherhithe Original etching and drypoint printed in black ink on fine laid paper 1860 Image: 10 3/4 x 7 3/4 in. | Framed: 22 x 16 5/8 in.

With full margins and watermark of “1814.” Signed in the plate lower left: “Whistler/1860.” A fine impression of the third state of three. A plate from the series Sixteen Etchings of Scenes on the Thames and Other Subjects, commonly referred to as “The Thames Set,” published by Messers. Ellis and Green, London, 1871, issued by the Fine Art Society; printed by Delatre and Whistler. Catalogue Reference: Kennedy 66

October 31, 2000 Pasquale Iannetti Art Galleries, Inc., San Francisco $11,000.00 X whistler_rotherhithe_11000.pdf G.H.
Whistler, James Abbott Fulham Etching with drypoint 1879 Image: 5 3/16 x 8 in. | Framed: 14 x 16 1/2 in.

Printed in black ink on heavy cream wove paper. Signed in the plate with the butterfly monogram lower right. A richly printed impression of Kennedy’s second and final state, with touches of burr throughout. From the edition published and issued by the Fine Art Society, London, 1879, with the inscription added in the margin below the image “CHELSEA/DRAWN AND ETCHED BY J. A. McNEILL WHISTLER.” In excellent condition, printed on a sheet with wide margins all around. Catalogue reference Kennedy 182 ii/ii. Platemark 5 3/16 x 8 inches (c11683).

November 6, 2000 R.H. Ballard Fine Art, Ltd., Maryland $3,100.00 whistler_fulham_3100.pdf G.H.

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